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542.
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Displays typically over-saturate the blue channel, making the images look cold.
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(itstool) path: page/p
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Viser en typisk overmætning af den blå kanal, hvilket får billedet til at se koldt ud.
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Translated by
Aputsiak Niels Janussen
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Reviewed by
Aputsiak Niels Janussen
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Located in
C/color-whyimportant.page:34
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543.
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This is what the user sees on a typical business laptop screen
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(itstool) path: figure/desc
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(no translation yet)
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Located in
C/color-whyimportant.page:40
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544.
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external ref='figures/color-display.png' md5='a4cd5c10c2fe44a82d6096963573cd8e'
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_
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(itstool) path: figure/media
This is a reference to an external file such as an image or video. When
the file changes, the md5 hash will change to let you know you need to
update your localized copy. The msgstr is not used at all. Set it to
whatever you like once you have updated your copy of the file.
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external ref='figures/color-display.png' md5='a4cd5c10c2fe44a82d6096963573cd8e'
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Translated by
leifdk
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Reviewed by
Aputsiak Niels Janussen
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Located in
C/color-whyimportant.page:41
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545.
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Notice how the white is not 'paper white' and the black of the eye is now a muddy brown.
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(itstool) path: page/p
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Bemærk hvordan det hvide er ikke er 'papirhvidt', og at det sorte i øjet, nu er en mudret brun farve.
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Translated by
Aputsiak Niels Janussen
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Reviewed by
Aputsiak Niels Janussen
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Located in
C/color-whyimportant.page:44
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546.
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This is what the user sees when printing on a typical inkjet printer
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(itstool) path: figure/desc
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Dette er hvad bruger ser, når der udskrives på en almindelig blækprinter
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Translated by
Aputsiak Niels Janussen
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Reviewed by
Aputsiak Niels Janussen
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Located in
C/color-whyimportant.page:50
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547.
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external ref='figures/color-printer.png' md5='42cae5a5d2aac8c774b76f7b41cc921c'
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| Context: |
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_
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(itstool) path: figure/media
This is a reference to an external file such as an image or video. When
the file changes, the md5 hash will change to let you know you need to
update your localized copy. The msgstr is not used at all. Set it to
whatever you like once you have updated your copy of the file.
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external ref='figures/color-printer.png' md5='42cae5a5d2aac8c774b76f7b41cc921c'
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Translated by
leifdk
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Reviewed by
Aputsiak Niels Janussen
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Located in
C/color-whyimportant.page:51
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548.
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The basic problem we have here is that each device is capable of handling a different range of colors. So while you might be able to take a photo of electric blue, most printers are not going to be able to reproduce it.
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(itstool) path: page/p
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(no translation yet)
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Located in
C/color-whyimportant.page:54
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549.
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Most image devices capture in RGB (Red, Green, Blue) and have to convert to CMYK (Cyan, Magenta, Yellow, and Black) to print. Another problem is that you can't have <em>white</em> ink, and so the whiteness can only be as good as the paper color.
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(itstool) path: page/p
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(no translation yet)
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Located in
C/color-whyimportant.page:60
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550.
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Another problem is units. Without specifying the scale on which a color is measured, we don't know if 100% red is near infrared or just the deepest red ink in the printer. What is 50% red on one display is probably something like 62% on another display. It's like telling a person that you've just driven 7 units of distance, without the unit you don't know if that's 7 kilometers or 7 meters.
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(itstool) path: page/p
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(no translation yet)
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Located in
C/color-whyimportant.page:67
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551.
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In color, we refer to the units as gamut. Gamut is essentially the range of colors that can be reproduced. A device like a DSLR camera might have a very large gamut, being able to capture all the colors in a sunset, but a projector has a very small gamut and all the colors are going to look "washed out".
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(itstool) path: page/p
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(no translation yet)
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Located in
C/color-whyimportant.page:77
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