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472.
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Now, if PhoPhoto is clearly better, why don't we use it for everything? The answer is to do with <em>quantization</em>. If you only have 8 bits (256 levels) to encode each channel, then a larger range is going to have bigger steps between each value.
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(no translation yet)
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Located in
C/color-whatisspace.page:72(page/p)
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473.
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Bigger steps mean a larger error between the captured color and the stored color, and for some colors this is a big problem. It turns out that key colors, like skin colors are very important, and even small errors will make untrained viewers notice that something in a photograph looks wrong.
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(itstool) path: page/p
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Veći koraci znače veću pogrešku između zarobljenih boja i pohranjenih boja, a za neke boje to je veliki problem. Ispada da ključne boje, kao što je boja kože su vrlo važni, pa čak i male pogreške, učinit će da i neiskusni gledatelji primijete da nešto u fotografiji izgleda krivo.
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Translated and reviewed by
Samir Ribić
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Located in
C/color-whatisspace.page:81
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474.
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Of course, using a 16 bit image is going to leave many more steps and a much smaller quantization error, but this doubles the size of each image file. Most content in existance today is 8bpp, i.e. 8 bits-per-pixel.
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(no translation yet)
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Located in
C/color-whatisspace.page:85(page/p)
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475.
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Color management is a process for converting from one color space to another, where a color space can be a well known defined space like sRGB, or a custom space such as your monitor or printer profile.
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(itstool) path: page/p
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Upravljanje bojama je proces pretvaranja iz jednog prostora boja u drugi, gdje prostor boja može biti dobro poznat definiran prostor poput sRGB, ili prilagođen prostor kao što je monitor ili printer.
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Translated by
Azer Dedovic
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Reviewed by
Samir Ribić
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Located in
C/color-whatisspace.page:94
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476.
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external ref='figures/color-average.png' md5='9189963fdd14f11f0685a9ef2196279b'
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_
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(itstool) path: page/media
This is a reference to an external file such as an image or video. When
the file changes, the md5 hash will change to let you know you need to
update your localized copy. The msgstr is not used at all. Set it to
whatever you like once you have updated your copy of the file.
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external ref='figures/color-average.png' md5='9189963fdd14f11f0685a9ef2196279b'
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Translated by
Amina Đonko
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Reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:25
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477.
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Calibrating is important if you care about the colors you display or print.
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(itstool) path: info/desc
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Kalibriranje je važno ako vam je stalo do boja koje ćete prikazati ili ispisati.
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Translated by
Amina Đonko
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Reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:7
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478.
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Why do I need to do calibration myself?
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(itstool) path: page/title
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Zašto moram kalibraciju uraditi ja sama?
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Translated by
Amina Đonko
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Reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:17
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479.
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Generic profiles are usually bad. When a manufacturer creates a new model, they just take a few items from the production line and average them together:
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(itstool) path: page/p
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Generički profili su obično loši. Kada proizvođač stvara novi model, uzme samo nekoliko predmeta iz proizvodne linije te ih uprosječi zajedno:
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Translated and reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:19
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480.
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Averaged profiles
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(itstool) path: media/p
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Prosječni profili
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Translated by
Amina Đonko
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Reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:26
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481.
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Display panels differ quite a lot from unit to unit and change substantially as the display ages. It is also more difficult for printers, as just changing the type or weight of paper can invalidate the characterization state and make the profile inaccurate.
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(itstool) path: page/p
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Prikazne ploče se razlikuju dosta od jedinice do jedinice i promijene se bitno kako ekran stari. Također je teže za printere jer samo mijenjanje vrste ili težine papira može izgubiti karakterizaciju stanja i napraviti profil netačnim.
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Translated and reviewed by
Samir Ribić
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Located in
C/color-why-calibrate.page:29
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