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1075210761 of 82199 results
10752.
FreeFarsi TrueType Persian fonts
Summary
fontes persanes TrueType FreeFarsi
Translated by Steve Langasek
Located in Package: fonts-freefarsi
10753.
FPF project aims to provide a free TrueType Persian font covering its part of ISO 10464/Unicode UCS (Universal Characters Set).
Description
Le projet FPF vise à fournir une fonte persane libre TrueType couvrant sa partie d’UCS ISO[nbsp]10464/Unicode (Universal Characters Set).
Translated by Steve Langasek
Located in Package: fonts-freefarsi
10754.
Freefont Serif, Sans and Mono OpenType fonts
Summary
fontes Freefont, OpenType avec ou sans empattement et à chasse fixe
Translated by Łukasz Zemczak
Located in Package: fonts-freefont-otf
10755.
Freefont is a set of free high-quality OpenType fonts covering the UCS character set. These fonts are similar to the widely known Helvetica, Times and Courier fonts.
Description
Freefont est un ensemble de fontes OpenType libres de haute qualité couvrant le jeu universel de caractères (UCS). Ces fontes sont très similaires aux fontes bien connues, Helvetica, Times et Courier.
Translated by Łukasz Zemczak
Located in Package: fonts-freefont-otf
10756.
OpenType Devanagari font
Summary
Police de caractères OpenType pour la devanagari
Translated by Jean-Marc
Reviewed by Sylvie Gallet
Located in Package: fonts-gargi
10757.
This package provides Gargi font for Devangari script which is used as script for multiple languages such as Hindi, Kashmiri, Konkani, Maithili, Marathi normally spoken in various states in Indian subcontinent.
Description
Ce paquet fournit la police Gargi pour l'écriture Devanagari qui est utilisée pour écrire plusieurs langues comme l'hindi, le kashmiri, le konkani, le maïthili, le marathi généralement parlées dans divers états du sous-continent indien.
Translated and reviewed by gisele perreault
Located in Package: fonts-gargi
10758.
greek font (Times Greek-like)
Summary
Police de caractères grecque (semblable à Times Greek)
Translated by Jean-Marc
Reviewed by Pierre Slamich
Located in Package: fonts-gfs-artemisia
10759.
The type family GFS Artemisia was designed by the painter-engraver Takis Katsoulidis and reflects his style and typographic acumen. It is largely his effort to offer, from a different perspective, a type face which, like Times Greek, would be applicable to a wide spectrum of uses and equally agreeable and legible. The typeface has been digitised by George D. Matthiopoulos.
Description
Artemisia, semblable à la famille de fontes GFS (Greek Font Society), a été conçue par le peintre et graveur Takis Katsoulidis et reflète son style et son expertise de typographe. C’est en grande partie son effort pour proposer, d’un point de vue différent, un type de fonte qui, comme Times Greek, serait applicable pour un éventail large d’utilisations et soit agréable et lisible. Cette police de caractères a été numérisée par George D. Matthiopoulos.
Translated by Steve Langasek
Located in Package: fonts-gfs-artemisia
10760.
ancient Greek font revival
Summary
(no translation yet)
Located in Package: fonts-gfs-baskerville
10761.
John Baskerville (1706-1775) got involved in typography late in his career but his contribution was significant. He was a successful entrepreneur and possessed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
Description
John Baskerville (1706-1775) s'est impliqué dans la typographie tard dans sa carrière, mais sa contribution a été significative. Il était un entrepreneur prospère et possédait un esprit curieux qu'il mit à contribution pour produire de nombreuses innovations esthétiques et techniques en matière d'impression. Il a inventé une nouvelle formule d'encre, un nouveau type de papier lisse et apporté diverses améliorations dans l'imprimerie. Il a également participé à la conception de polices de caractères qui a abouti à une police latine qui a été utilisée pour l'édition de Virgile, en 1757. La qualité de cette police a été admirée à travers l'Europe et l'Amérique et a été relancée avec beaucoup de succès au début du 20e siècle. Baskerville a également été impliqué dans la conception d'une police grecque dont il s'est servi dans une édition du Nouveau Testament pour l'Université d'Oxford en 1763. Il a adopté la pratique consistant à éviter un trop grand nombre de ligatures qu'Alexander Wilson avait commencé quelques années plus tôt, mais ses polices grecques étaient plutôt étroites en proportion et n'ont pas gagné la sympathie des philologues et autres savants de son époque. Elle ont cependant influencé les polices grecques de Giambattista Bodoni et à travers lui les polices grecques de Didot à Paris. La police a été reconstituée numériquement en tant que GFS Baskerville Classic par Sophia Kalaitzidou et George D. Matthiopoulos et est maintenant disponible dans le cadre de la bibliothèque de polices GFS.
Translated by Jean-Marc
Reviewed by Pierre Slamich
Located in Package: fonts-gfs-baskerville
1075210761 of 82199 results

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