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27012710 of 42285 results
10760.
ancient Greek font revival
Summary
(no translation yet)
Located in Package: fonts-gfs-baskerville
10762.
smart greek typeface revival
Summary
(no translation yet)
Located in Package: fonts-gfs-bodoni-classic
10763.
Giambattista Bodoni was the most prolific Italian typecutter of the 18th century. He was among the first European typecutters to move away from the byzantine cursive tradition with the numerous ligatures which was the norm until then. His Greek types influenced many subsequent designers, yet they fell in disuse by the middle of the 19th century. GFS presented Bodoni's original Greek typeface in the commemorative edition of Pindar's Olympian Odes (2004), in digital version by George D. Matthiopoulos, and is now available for the general public. In the OpenType features, under ligatures, one may alternately use diphthongs with the accents placed in between the characters, as Giambattista Bodoni did when setting greek texts.
Description
(no translation yet)
Located in Package: fonts-gfs-bodoni-classic
10765.
Greek Font Society incorporated Brocar's famous and distinctive type in the commemorative edition of Pindar's Odes for the Athens Olympics (2004) and the type with a new set of capitals, revived digitaly by George D. Matthiopoulos, is now available for general use.
Description
(no translation yet)
Located in Package: ttf-gfs-complutum
10771.
ancient Greek font (Byzantine cursive hand style)
Summary
(no translation yet)
Located in Package: fonts-gfs-gazis
10773.
modern Greek font family with matching Latin
Summary
(no translation yet)
Located in Package: fonts-gfs-neohellenic
10774.
Neohellenic is a Greek font family characterized by round, even pen strokes. It consists of several weights (normal, italic, bold, and bold italic) as well as a Latin version.
Description
(no translation yet)
Located in Package: fonts-gfs-neohellenic
10775.
Former Greek types had harked back to classical models. In 1927, Victor Scholderer chose instead to revive one which had first appeared in a 1492 printing of Macrobius attributed to Joannes Rubeus. In 1993-4 the typeface was digitized by the Greek Font Society, with the addition of a new set of epigraphic symbols.
Description
(no translation yet)
Located in Package: fonts-gfs-neohellenic
10776.
ancient Greek oblique font revival (companion to GFS Didot)
Summary
(no translation yet)
Located in Package: ttf-gfs-olga
10777.
In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
Description
(no translation yet)
Located in Package: ttf-gfs-olga
27012710 of 42285 results

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