Browsing Turkish translation

2.

<para>If enabled, all RAW files will be decoded in 16-bit color depth using a linear gamma curve. To prevent dark picture rendering in the editor, it is recommended to use Color Management in this mode.</para><para>If disabled, all RAW files will be decoded in 8-bit color depth with a BT.709 gamma curve and a 99th-percentile white point. This mode is faster than 16-bit decoding.</para>

4.

<title>Interpolate RGB as four colors</title><para>The default is to assume that all green pixels are the same. If even-row green pixels are more sensitive to ultraviolet light than odd-row this difference causes a mesh pattern in the output; using this option solves this problem with minimal loss of detail.</para><para>To resume, this option blurs the image a little, but it eliminates false 2x2 mesh patterns with VNG quality method or mazes with AHD quality method.</para>

7.

<title>Do not stretch or rotate pixels</title><para>For Fuji Super CCD cameras, show the image tilted 45 degrees. For cameras with non-square pixels, do not stretch the image to its correct aspect ratio. In any case, this option guarantees that each output pixel corresponds to one RAW pixel.</para>

20.

<title>Quality (interpolation)</title><para>Select here the demosaicing method to use when decoding RAW images. A demosaicing algorithm is a digital image process used to interpolate a complete image from the partial raw data received from the color-filtered image sensor, internal to many digital cameras, in form of a matrix of colored pixels. Also known as CFA interpolation or color reconstruction, another common spelling is demosaicing. The following methods are available for demosaicing RAW images:</para><para><list><item><emphasis strong='true'>Bilinear</emphasis>: use high-speed but low-quality bilinear interpolation (default - for slow computers). In this method, the red value of a non-red pixel is computed as the average of the adjacent red pixels, and similarly for blue and green.</item><item><emphasis strong='true'>VNG</emphasis>: use Variable Number of Gradients interpolation. This method computes gradients near the pixel of interest and uses the lower gradients (representing smoother and more similar parts of the image) to make an estimate.</item><item><emphasis strong='true'>PPG</emphasis>: use Patterned-Pixel-Grouping interpolation. Pixel Grouping uses assumptions about natural scenery in making estimates. It has fewer color artifacts on natural images than the Variable Number of Gradients method.</item><item><emphasis strong='true'>AHD</emphasis>: use Adaptive Homogeneity-Directed interpolation. This method selects the direction of interpolation so as to maximize a homogeneity metric, thus typically minimizing color artifacts.</item><item><emphasis strong='true'>DCB</emphasis>: DCB interpolation from linuxphoto.org project.</item><item><emphasis strong='true'>AHD v2</emphasis>: modified AHD interpolation using Variance of Color Differences method.</item><item><emphasis strong='true'>AFD</emphasis>: Adaptive Filtered Demosaicing interpolation through 5 pass median filter from PerfectRaw project.</item><item><emphasis strong='true'>VCD</emphasis>: Variance of Color Differences interpolation.</item><item><emphasis strong='true'>VCD & AHD</emphasis>: Mixed demosaicing between VCD and AHD.</item><item><emphasis strong='true'>LMMSE</emphasis>: color demosaicing via directional linear minimum mean-square error estimation interpolation from PerfectRaw.</item><item><emphasis strong='true'>AMaZE</emphasis>: Aliasing Minimization interpolation and Zipper Elimination to apply color aberration removal from RawTherapee project.</item></list></para>

22.

<title>Pass</title><para>Set here the passes used by the median filter applied after interpolation to Red-Green and Blue-Green channels.</para><para>This setting is only available for specific Quality options: <emphasis strong='true'>Bilinear</emphasis>, <emphasis strong='true'>VNG</emphasis>, <emphasis strong='true'>PPG</emphasis>, <emphasis strong='true'>AHD</emphasis>, <emphasis strong='true'>DCB</emphasis>, and <emphasis strong='true'>VCD & AHD</emphasis>.</para>

23.

Refine interpolation

24.

<title>Refine interpolation</title><para>This setting is available only for few Quality options:</para><para><list><item><emphasis strong='true'>DCB</emphasis>: turn on the enhance interpolated colors filter.</item><item><emphasis strong='true'>VCD & AHD</emphasis>: turn on the enhanced effective color interpolation (EECI) refine to improve sharpness.</item></list></para>

25.

Demosaicing

31.

<title>White Balance</title><para>Configure the raw white balance:</para><para><list><item><emphasis strong='true'>Default D65</emphasis>: Use a standard daylight D65 white balance.</item><item><emphasis strong='true'>Camera</emphasis>: Use the white balance specified by the camera. If not available, reverts to default neutral white balance.</item><item><emphasis strong='true'>Automatic</emphasis>: Calculates an automatic white balance averaging the entire image.</item><item><emphasis strong='true'>Manual</emphasis>: Set a custom temperature and green level values.</item></list></para>

33.

<title>Temperature</title><para>Set here the color temperature in Kelvin.</para>