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638.
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ANOTHER OPTION IS TO SPECIFY <flowSpan style="font-weight:bold" id="flowSpan1339">NO COMMERCIAL USE</flowSpan>. THIS LETS ME SHARE MY PHOTOGRAPH WITH THE WORLD BUT PROHIBITS OTHERS FROM MAKING MONEY OFF IT. IF SOMEONE WANTS TO USE MY PHOTO FOR COMMERCIAL PURPOSES, THEY HAVE TO GET MY PERMISSION FIRST. THAT'S WHEN I MIGHT ASK THEM FOR MONEY!
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OTRA OPCIÓN ES ESPECIFICAR <flowSpan style="font-weight:bold" id="flowSpan1339">NO COMERCIAL</flowSpan>. ESTO ME PERMITE COMPARTIR MI FOTOGRAFÍA CON LOS DEMÁS PERO PROHIBE A OTROS EL OBTENER GANANCIAS DE LA MISMA. SI ALGUIEN QUIERE USAR MI FOTOGRAFÍA PARA FINES COMERCIALES, DEBE PEDIR PERMISO ANTES. ¡ES ENTONCES CUANDO PUEDO PEDIRLES DINERO POR ELLA!
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccht7.svg:65(flowPara)
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639.
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SO IF EZRA, A SCHOOLTEACHER, WANTS TO PUT MY PHOTO ON HIS CLASS'S WEBSITE, HE CAN DO SO WITHOUT ASKING. BUT HE STILL HAS TO LINK TO MY LICENSE -- SO THAT OTHER PEOPLE KNOW HOW THEY CAN AND CAN'T REUSE IT.
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ENTONCES, SI EZRA, UN PROFESOR DE COLEGIO, QUIERE PONER MI FOTOGRAFÍA EN SU SITIO WEB DE LA CLASE, ÉL LO PUEDE HACER SIN PEDIR PERMISO. PERO AÚN ASÍ TENDRÁ QUE PONER UN ENLACE A MI LICENCIA -- PARA QUE OTRAS PERSONAS SEPAN CÓMO PUEDEN USARLA Y CÓMO NO.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccht8.svg:65(flowPara)
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640.
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ON THE OTHER HAND, LET'S SAY MIRANDA WANTS TO INCLUDE MY PHOTO IN A COFFEE TABLE BOOK SHE'S PRODUCING. SINCE SHE'S PLANNING TO SELL THE BOOK FOR PROFIT, SHE MUST GET MY PERMISSION BEFORE INCLUDING MY PHOTO.
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POR OTRO LADO, DIGAMOS QUE MIRANDA QUIERE INCLUIR MI FOTOGRAFÍA EN UN LIBRO DE MESA QUE ELLA ESTÁ PRODUCIENDO. CÓMO ELLA ESTÁ PLANIFINICANDO VENDER EL LIBRO PARA OBTENER GANANCIAS, ELLA TIENE QUE PEDIRME PERMISO ANTES DE INCLUIR MI FOTOGRAFÍA.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccht9.svg:65(flowPara)
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641.
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WHEN IGNACIO CLICKS THROUGH, HE SEES THE COMMONS DEED, THE HUMAN-READABLE EXPRESSION OF THE LICENSE THAT INCLUDES INTUITIVE ICONS AND PLAIN LANGUAGE.
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CUÁNDO IGNACIO HACE CLICK, ÉL VE EL COMMONS DEED, UN RESUMEN LEÍBLE POR LOS HUMANOS DEL TEXTO LEGAL CON ÍCONOS RELEVANTES.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp10.svg:65(flowPara)
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642.
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This is easy to understand. I can use her song as long as I give her attribution, don't make money, and share any derivative works I make with the world.
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Translators: This text is included in an image, try to keep char number near to the English text
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Esto es fácil de entender. Puedo usar su canción siempre y cuándo le otorgue el crédito, no haga dinero, y comparta cualquier obra derivada que haga con el resto del mundo.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp10.svg:77(flowPara)
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643.
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FROM THE COMMONS DEED, IGNACIO CLICKS THROUGH TO THE NITTY-GRITTY OF THE LEGAL CODE, THE ACTUAL LICENSE THAT DESCRIBES HOW IGNACIO CAN USE THE SONG.
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Translators: This text is included in an image, try to keep char number near to the English text
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DEL COMMONS DEED, IGNACIO HACE CLICK HASTA EL CÓDIGO LEGAL COMPLETO, DÓNDE SE DESCRIBE EL USO QUE IGNACIO PUEDE DARLE A LA CANCIÓN.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp11.svg:65(flowPara)
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644.
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WITH ANITA'S LICENSING TERMS IN MIND, IGNACIO LAYS HER TRACK DOWN OVER A SCENE AND WRAPS UP HIS FILM.
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Translators: This text is included in an image, try to keep char number near to the English text
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CON LOS TÉRMINOS DE LA LICENCIA DE ANITA EN MENTE, IGNACIO INCLUYE SU CANCIÓN EN UNA ESCENA DE SU PELÍCULA.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp12.svg:65(flowPara)
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645.
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IGNACIO SHOWS THE NEW CUT OF HIS MOVIE TO HIS FILM CLASS AND MAKES SURE TO MENTION ANITA IN THE CREDITS.
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Translators: This text is included in an image, try to keep char number near to the English text
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IGNACIO MUESTRA LA NUEVA VERSIÓN DE SU PELÍCULA A SU CLASE Y SE ASEGURA DE MENCIONAR A ANITA EN LOS CRÉDITOS.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp13.svg:65(flowPara)
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646.
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IGNACIO UPLOADS THE FINAL VERSION OF HIS FILM TO HIS OWN SITE. SINCE ANITA APPLIES THE SHARE ALIKE PROVISION TO HER SONG, IGNACIO LICENSES HIS OWN MOVIE UNDER THE SAME TERMS ANITA OFFERED HIM: ATTRIBUTION, NONCOMMERCIAL, AND SHARE ALIKE. HE GOES TO THE CREATIVE COMMONS SITE AND GETS THE SAME LICENSE AFTER PERSONALIZING HIS DIGITAL CODE TO DESCRIBE THE MOVIE.
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Translators: This text is included in an image, try to keep char number near to the English text
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IGNACIO SUBE LA VERSIÓN FINAL DE SU PELÍCULA A SU PROPIO SITIO. CÓMO ANITA USA LA CONDICIÓN COMPARTIR IGUAL EN SU CANCIÓN, IGNACIO LICENCIA SU PROPIA PELÍCULA BAJO LOS MISMOS TÉRMINOS: RECONOCIMIENTO, NO COMERCIAL Y COMPARTIR IGUAL. ÉL VA AL SITIO DE CREATIVE COMMONS Y OBTIENE LA MISMA LICENCIA DESPUÉS DE PERSONALIZAR SU CÓDIGO DIGITAL PARA DESCRIBIR LA PELÍCULA.
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp14.svg:65(flowPara)
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647.
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Creative Commons has helped me collaborate with someone I don't even know. Now others can use my film under the same terms!
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Translators: This text is included in an image, try to keep char number near to the English text
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Creative Commons me ha ayudado a colaborar con alguien que ni siquiera conozco. ¡Ahora otros pueden utilizar mi película bajo los mismos términos!
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Translated and reviewed by
Leandro Gómez
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Located in
../image-factory/ccp14.svg:77(flowPara)
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