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29012910 of 43276 results
10775.
Former Greek types had harked back to classical models. In 1927, Victor Scholderer chose instead to revive one which had first appeared in a 1492 printing of Macrobius attributed to Joannes Rubeus. In 1993-4 the typeface was digitized by the Greek Font Society, with the addition of a new set of epigraphic symbols.
Description
(no translation yet)
Located in Package: fonts-gfs-neohellenic
10776.
ancient Greek oblique font revival (companion to GFS Didot)
Summary
(no translation yet)
Located in Package: fonts-gfs-olga
10777.
In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
Description
(no translation yet)
Located in Package: fonts-gfs-olga
10781.
From the middle of the 19th century an italic font with many calligraphic overtones was introduced into Greek printing. Its source is unknown, but it almost certainly was the product of a German or Italian foundry. In the first type specimen printed in Greece by the typecutter K. Miliadis (1850), the font was listed anonymously along others of 11pts and in the Gr. Doumas' undated specimen appeared as «11pt Greek inclined». For most of the second half of the century the type was used extensively as an italic for emphasis in words, sentences or excerpts. In 1889, the folio size Type Specimen of Anestis Konstantinidis' publishing, printing and type founding establishment also included the type as «Greek inclined [9 & 12 pt]».
Description
(no translation yet)
Located in Package: fonts-gfs-solomos
10782.
Nevertheless, the excessively calligraphic style of the characters, combined with the steep and uncomfortable obliqueness of the capitals, was out of favour in the 20th century and the type did not survive the conformity of the mechanical type cutting and casting. The font has been digitally revived, as part of our typographic tradition, by George D. Matthiopoulos and is part of GFS' type library under the name GFS Solomos, in commemoration of the great Greek poet of the 19th century, Dionisios Solomos.
Description
(no translation yet)
Located in Package: fonts-gfs-solomos
10784.
In the late 50's Yannis Kefallinos (1894-1958) designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis.
Description
(no translation yet)
Located in Package: fonts-gfs-theokritos
10785.
Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
Description
(no translation yet)
Located in Package: fonts-gfs-theokritos
10806.
monospace font for pretty code listings and for the terminal
Summary
(no translation yet)
Located in Package: fonts-inconsolata
10807.
Inconsolata is a monospace font, designed for code listings and the like, in print. There are a great many "programmer fonts," designed primarily for use on the screen, but in most cases do not have the attention to detail for high resolution rendering.
Description
(no translation yet)
Located in Package: fonts-inconsolata
10808.
The Fontforge .sfd and the Spiro .plate extended sources are available on the upstream website and in the source package. A Type1 version of the font is also available.
Description
(no translation yet)
Located in Package: fonts-inconsolata
29012910 of 43276 results

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